The Phoenix Bird  

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21st Century-Technoid Man

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Behind the Glass

The Oneironaut

continuous
partial
attention


T.I.N.A

P.C.B.D.

NoDeadTrees


An Experimentally Conceptualized,
Multi-Sensory, "OMNIMedia" Symphony,
and (Live) Performance-Art Event

including an Interactive Sound/Light Installation
INFORMATION ABOUT: The Performance Concepts, the underlying Creative Process
(including Story writing, Music composing, Programming, etc.)
Some of the Influences, the Research being done,
ongoing progress being made on the Project
and efforts to find support for the Development Costs
through Fundraising, Grants, Fellowships and Private Donations.
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The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
- Igor Stravinsky


Born in Russia in 1882, Igor Stravinsky studied with Rimsky-Korsakov, and was influenced by Tchaikovsky, Borodin, Glazunov, Debussy and Dukas. This unusual mixture of influences lies behind The Firebird (1910), commissioned by Dyagilev for his Ballets Russes. Stravinsky went with the company to Paris in 1910 and spent much of his time in France from then onwards, continuing his association with Dyagilev in Petrushka (1911) and The Rite of Spring (1913). Stravinsky's styles are additive rather than symphonic, in that he placed blocks of material together without disguising the seams. The binding energy is much more rhythmic than harmonic, and the driving pulsations of The Rite marked a crucial change in the nature of Western music.